Posts Tagged ‘books’

Book review: The Fold by Peter Clines

Monday, April 27th, 2015

I’m a big fan of Peter Clines’ Ex-Heroes books, so when I saw he had a new thriller out, I jumped at the chance to get my hands on a review copy. I generally like to go into a book knowing as little about it as possible, and in this case I didn’t even read the back-cover synopsis, so I was practically jumping in blind—Clines’ name on the cover was enough to get me excited. And my enthusiasm was amply rewarded.

The Fold starts out at a slow burn. We meet our protagonist, Leland “Mike” Erikson, who has a genius-level IQ and an eidetic memory, but prefers life under the radar, teaching English at the local high school. But he gets a call from Reggie, an old friend at the Department of Defense, who persuades him to fly out and use his special skills to observe a certain government-funded project. Reggie won’t tell Mike what the project is, but it works, and it’s amazing—but the project team appears to be stalling for more time and funding. Mike’s job is to make sure everything at the project is on the level, so Reggie can push the funding through. But of course, things at the “Albuquerque Door” project aren’t entirely what they seem…

The first half of the book takes its time setting things up: Mike flies out, meets the team, and gets to see the project’s success first-hand. He also spends a lot of time getting to know the individual team members and poring over the project’s logs and records. It reminded me a lot of a good Michael Crichton science thriller, with a lot of talking and science-y stuff, and only the occasional shock thrown out to deepen the mystery.

This goes on for the first half of the book, but the pace never flags: Clines keeps the tension high and the slowly-unfolding mystery intriguing. The short chapter-length and crisp prose work wonders, too. At about the halfway point, though, the Big Reveal hits and things start to unravel (in a good way!) at an accelerated pace, with the final act (after the Bigger Reveal) just going completely off the rails. It’s nuts. Maybe a little too nuts. But it’s frigging compelling reading. I read the whole thing in 24 hours: the first quarter Friday night (late Friday night), the second quarter Saturday morning. By Saturday afternoon, I couldn’t stand it anymore, and plopped down and cranked through the second half in a single sitting. I just could not put it down.

As I said previously, I’m not big on spoilers myself, and I also like to keep my reviews fairly tight-lipped when it comes to plot. But I mentioned Crichton earlier, and somewhere around a third of the way in I was very heavily reminded of his novel Timeline. If you took some of the concepts from that book and mashed them up with Patrick Lee’s The Breach trilogy (read that if you haven’t already, seriously) you’d get something very much like The Fold.

If I had to quibble, I’d say that the main premise (cool as it is) probably doesn’t hold up to much scrutiny (or if it does, there are a lot of coincidences going on) and that, despite Mike Erikson’s memory and intellect, I was able to arrive at a number of correct conclusions long before he did. And the end certainly does get weird. But really this book was just so much fun that I can barely bring myself to voice the complaints themselves, let alone delve into them. It’s just that good. And according to the afterword, it’s also tangentially-related to an earlier Clines book called 14. Shoot, looks like I’ve got a book to track down… [4 out of 5 stars]

Book review: Dead Boys by Gabriel Squailia

Monday, April 20th, 2015

Dead Boys is a book I would have never picked up on my own. I’d never heard of it, nor its author, and a quick glance tells me it probably isn’t my sort of thing. But out of the blue one day I got an email from the publisher, saying there were review copies available, so I figured I’d go ahead and take a chance. By the next day, I had it loaded up on my Kindle and dove in.

I initially figured it was a book about zombies. I haven’t really consumed a lot of zombie media, so I don’t really know if I truly dislike it, but at the same time I have absolutely no desire to really try out the genre. But this book isn’t actually about the undead. It’s about the dead dead.

Dead Boys is a very surreal look at the afterlife, where the dead wash up on the shores of the River Lethe having lost the memories of their prior experiences in the living world. The zombie parallels begin and end with the dead’s physical forms: their bodies are in a constant state of decomposition, senses are dulled, and movement is slow and time-consuming. But the dead are always conscious, aware—essentially immortal in their new mode of existence. Squailia put in a lot of effort constructing the ground rules for the post-death life, and then spends the bulk of the book pushing that groundwork out to its logical conclusions.

Our main protagonist is Jacob Campbell, ten years a corpse, who’s on a quest to return to the living world. In death, Jacob is a well-regarded “preservationist”. In Dead City, the sight of bone is abhorrent, and as the dead’s physical forms are constantly decaying, Jacob and other specialists like him perform the services of keeping a body lifelike: filling deflated body cavities, replacing worn away flesh and skin with wood and leather, and similar cosmetic modifications. Jacob quickly picks up a handful of fellow travelers (the titular “Dead Boys”) and the quest begins in earnest: they must find the Living Man, rumored to have gained entrance to the Land of the Dead without having died himself, and who (Jacob hopes) holds the key to returning to the Land of the Living. That is, of course, just the beginning of their travels. Revelations await, and before anyone can regain the life they once lost, they must first come to fully embrace their new state of existence.

I definitely enjoyed Dead Boys. It’s not a particularly long book, and I read it in about a week. Jacob is an enjoyable protagonist, but is upstaged by almost all of the secondary characters, which is fine. It adheres very closely to the classic quest formula (travel to Place A, meet character B, travel to place C, meet D, etc…) of which I’m not a huge fan, and the plot stalls out for a bit in the second section, but overall it moves along at a nice clip. Some of the more surreal elements (of which there are a number) felt a little goofy to me, but there was a lot of neat stuff mixed in as well.

In the end, I think my expectations were a little off; I would have preferred a slightly deeper, more thoughtful or insightful novel. This book does have some good emotional beats, and obvious care was put into the characters and worldbuilding, but in the end it’s a fantasy quest story with a unique and interesting setting. Certainly there are a lot of readers out there who’ll fall in love with it. It’s by no means brilliant, but I enjoyed it, and I’m glad I took a chance on it. [3.5 out of 5 stars]

2015 Reading List

Thursday, January 1st, 2015

Books read in 2014, listed by month finished. Books in italics are still in progress. As always, you can follow along with my reading journal @ LibraryThing, where you can also see my complete reading list, or just my 2015 reads.


The Sword of the Lictor by Gene Wolfe
The Citadel of the Autarch by Gene Wolfe
Transformers: More Than Meets the Eye, Volume 3 by James Roberts & Alex Milne
Transformers: More Than Meets the Eye, Volume 4 by James Roberts & Alex Milne
Transformers: More Than Meets the Eye, Volume 5 by James Roberts & Alex Milne
Transformers: Dark Cybertron, Volume 2 by James Roberts & John Barber
Transformers: More Than Meets the Eye, Volume 6 by James Roberts & Alex Milne
Dresden Files: War Cry by Jim Butcher & Carlos Gomez
The Urth of the New Sun by Gene Wolfe
Raiser of Gales by Hideyuki Kikuchi
The Wurms of Blearmouth by Steven Erikson


Blood of Ambrose by James Enge
Transformers: More Than Meets the Eye, Volume 6 by James Roberts & Alex Milne
This Crooked Way by James Enge
The Wolf Age by James Enge
Ancillary Justice by Ann Leckie


Shadows of the New Sun ed. by J. E. Mooney & Bill Fawcett
Pirate Freedom by Gene Wolfe
Delta Search by William Shatner


In Alien Hands by William Shatner
Dead Boys by Gabriel Squailia
The Fold by Peter Clines
Transformers: Robots in Disguise, Volume 6 by John Barber & Andrew Griffith
Step into Chaos by William Shatner


Beyond the Stars by William Shatner
Shadow Planet by William Shatner


Dark Intelligence by Neal Asher
Transformers: More Than Meets the Eye, Volume 5 by James Roberts & Alex Milne
Transformers: More Than Meets the Eye, Volume 6 by James Roberts & Alex Milne


The Gods of Laki by Chris Angus
William Shakespeare’s The Phantom of Menace by Ian Doescher
Two Years Eight Months and Twenty-Eight Nights by Salman Rushdie

2014 Reading List

Wednesday, January 1st, 2014

Books read in 2014, listed by month finished. As always, you can follow along with my reading journal @ LibraryThing, where you can also see my complete reading list, or just my 2014 reads.


The X-Files by Frank Spotnitz & Brian Denham
Transformers Classics UK, Volume 1 by Simon Furman
Transformers Classics UK, Volume 2 by Simon Furman
Transformers: More Than Meets the Eye, Volume 4 by James Roberts & Alex Milne
Transformers: More Than Meets the Eye, Volume 5 by James Roberts & Alex Milne
Transformers Classics UK, Volume 3 by Simon Furman
Transformers Classics UK, Volume 4 by Simon Furman
The Wounded Land by Stephen R. Donaldson
Dresden Files: Welcome to the Jungle by Jim Butcher & Ardian Syaf
Dresden Files: Ghoul Goblin by Jim Butcher & Joseph Cooper
The One Tree by Stephen R. Donaldson


Transformers: Robots in Disguise, Volume 4 by John Barber & Andrew Griffith
White Gold Wielder by Stephen R. Donaldson


The Runes of the Earth by Stephen R. Donaldson
Fatal Revenant by Stephen R. Donaldson


Williams Shakespeare’s The Empire Striketh Back by Ian Doescher


Against All Things Ending by Stephen R. Donaldson
Dust of Dreams by Steven Erikson


The Last Dark by Stephen R. Donaldson
Skin Game by Jim Butcher


Transformers: Dark Prelude by James Roberts & John Barber
Transformers: Robots in Disguise, Volume 5 by John Barber & Andrew Griffith
Transformers: Dark Cybertron, Volume 1 by James Roberts & John Barber
Transformers: More Than Meets the Eye, Volume 1 by James Roberts & Alex Milne
Transformers: More Than Meets the Eye, Volume 2 by James Roberts & Alex Milne
Scourge of the Betrayer by Jeff Salyards
The Aleph by Jorge Luis Borges
Transformers: All Hail Megatron, Volume 1 by Shane McCarthy & Guido Guidi


Transformers: All Hail Megatron, Volume 2 by Shane McCarthy & Guido Guidi
Transformers: Spotlight, Volume 1 by Simon Furman
Transformers: All Hail Megatron, Volume 3 by Shane McCarthy
Transformers: All Hail Megatron, Volume 4 by Shane McCarthy & Mike Costa
Veil of the Deserters by Jeff Salyards
Tomorrow and Tomorrow by Thomas Sweterlitsch
Penny Arcade: The Warsun Prophecies by Jerry Holkins & Mike Krahulik
Penny Arcade: Birds Are Weird by Jerry Holkins & Mike Krahulik
Penny Arcade: The Case of the Mummy’s Gold by Jerry Holkins & Mike Krahulik




The Crippled God by Steven Erikson
Transformers Classics UK, Volume 5 by Simon Furman


Assail by Ian C. Esslemont
Vampire Hunter D by Hideyuki Kikuchi
Williams Shakespeare’s The Jedi Doth Return by Ian Doescher


The Shadow of the Torturer by Gene Wolfe
The Claw of the Conciliator by Gene Wolfe

Book review: Runner by Patrick Lee

Monday, December 16th, 2013

A couple of years ago, I read Patrick Lee’s debut trilogy, consisting of The Breach, Ghost Country, and Deep Sky. It was a new breed of fiction for me: the structure and feel of your run-of-the-mill action/thriller novel, but wrapped around the chewy gooey center of a science-fictional premise/MacGuffin. I enjoyed the heck out of them, and when I heard that he was writing another novel (albeit one unrelated to the trilogy) I was sold, sight-unseen.

Fast-forward to October 2013, and while perusing the latest offerings from LibraryThing’s Early Reviewers program, what do I stumble across but a new novel from Patrick Lee! I was excited, but even better, I was fortunate enough to land a copy for review.

The blurb was inoffensively generic, bordering on cliché: Ex-military man takes in a girl on the run from bad guys trying to kill her. I wondered if this was to be a straight-up thriller this time, or if Lee would manage to work in a SF angle; I assumed the former, but held out hope for the latter. All the while figuring it would be a wild ride either way.

I love it when I’m right.

Sam Dryden is an ex-special forces operative who lost his wife and child in an accident a while back. Recently he’s been having bouts of insomnia, and has taken up midnight jogs along the boardwalk. One fateful night, he runs into Rachel, a 12-year-old girl being hunted by a squad of armed men. Naturally, Dryden decides to help her. But Rachel is more than she seems: not only does she have the uncanny ability to read minds, but her drug-induced amnesia hides a terrifying secret.

Science fiction it is, then—and Lee even throws some pseudo-scientific explanations for Rachel’s telepathic powers (but then, I’m no biologist.) But beyond that, he teases out the ramifications of such an ability: if telepathy actually existed, how would the military-industrial complex seek to utilize it? Lee’s answer is both horrifying and depressingly realistic. Most importantly, it’s wildly entertaining.

The pace Lee sets for the book is a breathless one. The action starts right on page two, and hardly lets up from there. The entire first chunk of the book is an extended chase sequence, and even when you think you can stop and take a breath, there’s a massive twist or turn on the next page to keep you reading. In fact, the only criticism I have of the book is those sections where the pace actually does slow down: these sequences shift away from Dryden and Rachel to show what is essentially the “bad” guys’ side of things. Much of the insight into the military’s use of telepathic powers is revealed in these sections, and though they all end up tying together at the end, they don’t do a lot to advance the plot at that moment. In any other book, it wouldn’t bother me like it did here; but in a book this relentlessly-paced, such a noticeable slowdown is harder to forgive. But this is a minor gripe for a book that is still nigh-impossible to put down.

Probably what most impressed me, though, was the emotional layer Lee was able to squeeze in. I got a hint of it in his Breach books, but here…well, here it may have seemed a bit manipulative at first (guy loses his own child, then takes in a young girl on the run? Where do you think this could be going?) but Lee totally makes it work. The ending does much of the heavy lifting in this regard: instead of wrapping everything up all happily-ever-after like you might expect, Lee goes for the truer, more realistic approach, and the whole work is the more powerful for it. The last page in particular not only made me mist up a little, but actually had me flipping back to the first page to reread how it all started. Great stuff.

Runner will be out in February. Get it. Read it. And whatever Patrick Lee decides to write next, I’ll be in line for that, too, no questions asked. [4 out of 5 stars]

Book review: Ex-Heroes by Peter Clines

Thursday, May 2nd, 2013

Superheroes versus zombies. That’s Ex-Heroes in a nutshell. Don’t like superheroes or zombies? Well…that might not be a problem, actually.

Ex-Heroes is about a group of super-powered heroes trying to protect a last enclave of humanity in a Los Angeles movie studio-turned-fortress following the zombie apocalypse. I will admit that I’m a bit of a superhero guy, but I couldn’t care less about the current zombie trend. It’s okay, though, because the zombie apocalypse featured in Clines’ books is just the setting; the real show is the larger-than-life yet all-too-human characters: St. George, Stealth, Zzzap. Gorgon, Cerberus, Regenerator. You could draw some easy parallels between Clines’ creations and the stable of popular DC and Marvel Comics heroes, but it doesn’t matter because Clines makes his so engaging.

I loved the structure of the book, too. The chapters alternate: two “Now” chapters set in the present day, told from your standard third-person perspective; then one “Then” chapter set in the past and told in the first-person by one of the superhero characters. The Then chapters move forward chronologically, slowly building up the history of the zombie apocalypse (including an ingenious superhero-related origin for the zombies) as well as fleshing out the backstory of the characters involved. And the way they interact with the ongoing plot of the Now chapters works brilliantly.

If there are any real flaws in the book, it would be that one of the heroes seemed way too powerful, and the hasty explanations given for why he wasn’t more effective didn’t really satisfy me. Also, the main bad guy has huge question marks in his background that (thankfully) are mostly cleared up in the sequel, but still drove me nuts for most of this book. Those are minor nitpicks, though. This book is just too much fun. [4 out of 5 stars]

Book review: Lord of Darkness by Robert Silverberg

Thursday, March 28th, 2013

Robert Silverberg is a prolific and award-winning science fiction author, of whom I’ve read only a handful of short stories. They didn’t leave me much impressed, but when I found out he had written an historical fiction novel that was being reprinted for the first time in thirty years, I was intrigued, and I was fortunate enough to win a copy for review.

The new edition of Lord of Darkness by Nonstop Press contains a great introduction by Silverberg about how his book came to be. Long story short, it was inspired by the true story of 16th century English mariner Andrew Battell, who was captured by the Portuguese while pirating in South America and shipped to Africa as a prisoner, where he spent twenty years of his life—including some time living in the African interior with a cannibal tribe and their powerful, dangerous leader, Imbe Calandola, the titular “Lord of Darkness”.

The book did not do well domestically, due to the fact that bookstores shelved it alongside his science fiction works; sci-fi fans weren’t interested in a historical fiction novel, and historical fiction fans (who didn’t know to look for an historical novel in the SF section) never discovered it.

That’s a shame, because it’s an absolutely amazing book.

Much of the appeal comes from Battell’s story, which is fascinating in itself; though obviously by the time Silverberg had expanded it to novel-length, it had become more fiction than fact, but still true to the events detailed in Battell’s original account. But perhaps more than even that, what kept me engaged from the first page to the last was the narrative voice employed by Silverberg. It’s a first-person account, naturally, but Silverberg attempts to present it as if it might have come from the pen of a 16th century English Protestant man, while still keeping it comprehensible to the contemporary reader. It’s done masterfully, with an old-fashioned biblical cadence that is just wonderful. Here’s the opening paragraph:

ALMIGHTY GOD, I thank Thee for my deliverance from the dark land of Africa. Yet am I grateful for all that Thou hast shown me in that land, even for the pain Thou hast inflicted upon me for my deeper instruction. And I thank Thee also for sparing me from the wrath of the Portugals who enslaved me, and from the other foes, black of skin and blacker of soul, with whom I contended. And I give thanks too that Thou let me taste the delight of strange loves in a strange place, so that in these my latter years I may look back with pleasure upon pleasures few Englishmen have known. But most of all I thank Thee for showing me the face of evil and bringing me away whole, and joyous, and unshaken in my love of Thee.

I don’t know a thing about Silverberg’s own beliefs, but Battell’s come through clear as day; his dialogue is full of philosophical asides on almost every conceivable subject. This is a thoughtful book. It’s also not an easy one. Battell makes choices of a questionable moral nature, from working in the employ of his captors and nation’s enemies, to living as a member of a cannibal tribe. This is not a book for the squeamish: there are some disturbing scenes here. At one point Battell, determined to leave nothing out of his narrative, remarks that what he is about to reveal will make the reader hate and condemn him, and certainly that’s an option. Battell’s awareness of his choices and actions, and his analysis of them at the time as well as after fact, add depth both to said scenes and to his character.

A final word of warning: There is a lot of sex in this book, and it’s fairly explicitly described, though couched in sixteenth century language as it is, it loses a little of it’s, shall we say, vulgarity. If that’s the kind of thing that’ll turn you off a book entirely, you might want to give this one a pass.

That said, part of the triumph of the novel is bringing you, the reader, to places that make you uncomfortable (sometimes extremely uncomfortable) and then bringing you through them—not entirely unchanged, but perhaps now seeing the world around you in a different light. That’s one of the marks of Great Literature, and Lord of Darkness is an absolute masterwork. Kudos to Nonstop for bringing it back into print. [5 out of 5 stars]

Book review: Ice Forged by Gail Z. Martin

Tuesday, February 5th, 2013

I’ve picked up a number of books through LibraryThing’s Early Reviewers program over the years. Some have been phenomenal, and some have been pretty good, but a lot of them have been pretty mediocre, if not downright bad. So when I signed up for a chance to win a copy of Gail Z. Martin’s upcoming novel, I had my fingers crossed: all I really wanted was an enjoyable, competently-written fantasy from an established author at a well-known publisher.

Ice Forged delivered exactly that.

The basic premise was an intriguing one: an arctic penal colony gets cut off from the rest of the world after the magical version of nuclear Armageddon. Has the post-apocalyptic scenario been done before in a fantasy world? If so, I haven’t read it yet, which isn’t saying a lot, other than that the idea here was new enough to me to be exciting. Anyway, the main character, a nobleman’s son by the name of Blaine McFadden, gets sentenced to Velant, the aforementioned penal colony at the top of the world. There’s some quick jumps in time as we see Blaine adjusting to his new life, while back on the mainland we’re introduced to a secondary protagonist, a functionary of the royal court named Bevin Connor. It’s through his eyes that we witness the magical strike which lays waste to the country of Donderath, while Connor himself escapes aboard a vessel headed for…Velant.

Martin’s an established author with a couple of published trilogies to her name, and it shows here. There’s nothing flashy, her prose isn’t noteworthy in the slightest, the characters aren’t particularly deep, and the book doesn’t make you think. But it is eminently readable; the pages and the minutes fly by in a blur. If nothing else, Martin shows herself to be a polished and professional storyteller.

Having said that, I can’t help but lament what Ice Forged could have been. Granted, this is just the first book in a series, so Martin’s laying the groundwork for future volumes, here, but. As much as I enjoyed Bevin Connor’s storyline, imagine if events on Donderath went unexplained and unwitnessed by the reader. Suddenly, the supply ships stop showing up in Velant, and Blaine McFadden’s got a mystery on his hands, and the reader is just as bewildered as he is. Suddenly, the mystery of the book becomes “What happened to Donderath?” instead of—well, that would be telling. But I think it could have been pretty amazing.

And while we’re on the subject of Blaine McFadden, one thing with him that bugged me: during his years in Velant, he adopts the nickname “Mick” to hide his true identity. Later on, his true heritage comes back to haunt him, and he’s forced to decide: is he truly “Mick” or is he “Blaine”? But it’s really a false choice, because the narrative has referred to him as “Blaine” for the entirety of the novel, and the only time the reader is reminded of the “Mick” persona is when a character (very rarely) calls him such. Instead, imagine a book that begins with the exile of Blaine McFadden, before switching to The Arctic Adventures Of Mick And Friends, and only after a large portion of the book is it revealed that Mick and Blaine are in fact the same character. Perhaps this is just a side effect of having read too much* of Gene Wolfe and Steven Erikson, two authors who thrive on strategically withholding information from the reader. But sometimes it’s worthwhile not to let the reader in on everything. (*I’m kidding, there’s no such thing!)

I haven’t mentioned it yet, but one of the other conceits of Ice Forged that was new to me in the genre was its use vampires. To the best of my knowledge, vampires have traditionally been used as a fantastical element in otherwise-contemporary settings. Here, Martin deploys more-or-less traditional vampires in a fantasy setting. Apparently, this is also true of her other series(es). I found out about this beforehand via the Author Q&A in the back of the book, and went in expecting to hate them. To the contrary, the vampire characters made for one of the more intriguing aspects of the book. Although I should say, Martin may have taken too much of her readers’ knowledge of vampires for granted, and not have explained them as thoroughly as she could or should have: I remember being jarred out of the story at one point when one of them was implied to be flying, and I couldn’t figure how that was possible, and certainly couldn’t remember it having been mentioned before.

But those are minor nitpicks. When you get right down to it, the end result is that Ice Forged is a well-written, enjoyable fantasy. Sometimes, that’s all you want. [3.5 out of 5 stars]

2013 Reading List

Monday, January 7th, 2013

Books read in 2013, listed by month finished. Books in italics are still in progress. As always, you can follow along with my reading journal @ LibraryThing, where you can also see my complete reading list, or just my 2013 reads.


Shardik by Richard Adams
Ice Forged by Gail Z. Martin


Pogo: Through the Wild Blue Yonder by Walt Kelly
The Prince by Niccolò Machiavelli
Blood and Bone by Ian C. Esslemont
Cold Days by Jim Butcher
The Devil Delivered by Steven Erikson
Fishin’ With Grandma Matchie by Steven Erikson
Revolvo by Steven Erikson


American Elsewhere by Robert Jackson Bennett
Archimedes’ Claw by Theodore Morrison Homa
Ex-Heroes by Peter Clines
Lord of Darkness by Robert Silverberg
The War Hound and the World’s Pain by Michael Moorcock
Return of the Crimson Guard by Ian C. Esslemont


The City in the Autumn Stars by Michael Moorcock
Ex-Patriots by Peter Clines
The Dragon in the Sword by Michael Moorcock
Consider Phlebas by Iain M. Banks


Star Wars: Apocalypse by Troy Denning
The Chosen by Ricardo Pinto
Pandora by Holly Hollander by Gene Wolfe


The Standing Dead by Ricardo Pinto
The Fifth Head of Cerberus by Gene Wolfe


Prince of Thorns by Mark Lawrence
Ex-Communication by Peter Clines


King of Thorns by Mark Lawrence
The Book of Sand by Jorge Luis Borges
Shakespeare’s Memory by Jorge Luis Borges
This River Awakens by Steven Erikson
Star Wars: Crucible by Troy Denning
Emperor of Thorns by Mark Lawrence


Toll the Hounds by Steven Erikson


The Third God by Ricardo Pinto
Lord Foul’s Bane by Stephen R. Donaldson


Runner by Patrick Lee
The Illearth War by Stephen R. Donaldson


The Power That Preserves by Stephen R. Donaldson
The Lurking Fear & Other Stories by H. P. Lovecraft

The 2012 Salty Awards!

Wednesday, January 2nd, 2013

I was quite pleased with how last year’s Salty Awards turned out, so let’s do it again! Again, this is stuff that I read for the first time last year, even if it was published earlier (and usually it was.) Here’s a link to my 2012 reading list for reference.


Look out, here come some stats! Quickly now:

Total books read: 41
Re-reads: 8
Non-series reads: 8
Novels by female authors: 1
Short story collections: 4
Ebooks: 2
Reads that were also acquired in 2012: 13
Borrowed (unowned): 0

Best Short Story Collection 2012:

I only read four short story collections last year, and only two of them would even be worthy of a top five list. But I have to give props to:

Endangered Species by Gene Wolfe
Another year, another Gene Wolfe short story collection. This one is particularly large, with 30 stories. Some of them didn’t quite grab me, but there are still plenty of amazing stories in here. It’s been close to a year since I read them, so I don’t remember much, but just looking over the table of contents, I can recall the following as being standout stories: “The Map” (taking place after The Book of the New Sun), “The HORARS of War”, “All the Hues of Hell”, “Procreation” (very Borgesian), “The Tale of the Rose and the Nightingale” (this one has lingered the most), and “Silhouette”. I’ve got one more collection left to read this year, and I can’t wait!

Best Comic Book 2012:

I didn’t read a ton of graphic novels this year, besides the collections of Buffy the Vampire Slayer, Season 8 that I got for my wife (which were very good, by the way.) But no self-respecting Best Of list can omit this:

Watchmen by Alan Moore & Dave Gibbons
This book is considered such a classic in the field that it’s a miracle I put off reading it for so long. And it’s so absolutely mind-blowingly amazing that I actually feel bad for not having read it years ago. It is not a light undertaking (I was all but useless for two days straight) but it is so very, very worth it. The absolute pinnacle of superhero comics.

Best Novel 2012:

It was a down year for me, for novels, probably on account of how a few of them were quite long (I’m looking at you, George R. R. Martin) but also because of a number of weeks that saw me spending my nights playing video games, instead of reading. Of course, when I say “a down year”, I’m talking quantity, not quality; it was a very good year for those books that I did manage to read, and here are the best of them:


5. Caine’s Law by Matthew Stover
I’ve loved all of Stover’s previous Acts of Caine novels, and this was the long-awaited fourth and (for the foreseeable future) final installment. Like the books before it, it is totally unlike any of its predecessors. Stover abandons entirely the conventional linear narrative and goes for something Completely Different, and the result is almost incomprehensible. And unequivocally kickass. As always.

4. Tigana by Guy Gavriel Kay
Kinda funny that this made the list, when I had to set it aside for a month because I just couldn’t get it into it. But when I dove back in again, I was surprised how it felt like I hadn’t been away from it at all. In a good way. It’s a slow burn of a novel, but it’s very worth it. There’s a beauty to the thing that I have a hard time putting words to. And the end caught me quite by surprise. I will definitely be reading more of Kay’s work in the (hopefully near) future.

3. The Silmarillion by J. R. R. Tolkien
I read The Hobbit and The Lord of the Rings back when I was 10 or 11, and then again in my early 20s, but I was always wary of this one. It was supposed to be dry, textbook-like. Boring, in other words. So I avoided it. But this year, when I decided to do a full Middle-earth re-read, I planned for The Silmarillion, and was both excited and apprehensive to try tackling it. The full re-read never happened, but I did read The Silmarillion, and wow. Now granted, my reading tastes have evolved considerably over the past dozen years, but why did I never read this before? Yes, it was a little slow in a couple of spots, but that doesn’t change the fact that this is a work of staggering imagination and beauty.

2. A Clash of Kings by George R. R. Martin
Yep, I’m slow, I finally got around to reading the Song of Ice and Fire series just now. (Funnily enough, the waiting list at the library for a fifteen-year-old book is hundreds of people long, thanks to the current TV show.) Anyway, the first book in the series was great, but it didn’t quite make the cut for this list; it was well-written and engrossing, but it was just one downer after another. The second book, though…oh, this book. Besides the fact that it doesn’t have a proper beginning or end, this book is practically flawless. It was hard to imagine how Martin could even improve on this installment, but…

The best novel I read in 2012 was…

1. A Storm of Swords by George R. R. Martin
I suppose it might not seem fair for Martin to take the top two spots, but shoot, he almost had three books make my top five. Up to the very end, I didn’t think there was any way this book could surpass A Clash of Kings, but then Martin started tying some arcs up in such satisfying ways. And then the epilogue hit, and left me breathless; I still get chills thinking about it. It was the perfect spot to end the book: at a place where the story can pause and take a breath, but with that edge that leaves you thinking, “Holy crap, what happens next?!” Absolutely brilliant.

Honorable mentions: A Game of Thrones by George R. R. Martin, The Eternal Champion by Michael Moorcock, Ghost Ocean by S. M. Peters, When She’s Gone by Steven Erikson